Named Tomorrow

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“this is not a detached dissertation but an exploration of my origins, an indirect attempt at self-definition” —Octavio Paz

 

Currently Reading

James E. B. Breslin – Mark Rothko: A Biography
Carson McCullers – The Heart is a Lonely Hunter
Walter Friedlander – Mannerism and Anti-Mannerism in Italian Painting
H. D. Thoreau – Walden
Maurice Blanchot – The Infinite Conversation (slowly but surely…)

Poets I’m reading (If no book is specified, it’s a collected works, individual books within which I may be reading):
Thom Gunn
D. H. Lawrence – Selected Poems (Viking Press)

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  • Fragment 36, by H.D. May 13, 2012
    I know not what to do,my mind is reft:is song’s gift best?is love’s gift loveliest?I know not what to do,now sleep has pressedweight on your eyelids.Shall I break your rest,devouring, eager?is love’s gift best?nay, song’s the loveliest:yet were you lost,what rapturecould I take from song?what song were left?I know not what to do:to tu […]
  • from Oppen's Daybooks May 11, 2012
    “What [C. P.] Snow and [May] Swenson are describing [in their blurbs for one of Charles Reznikoff’s book] is—a classic.   It cannot be said that Rezi was as ‘important’ as Williams, Pound, Eliot, because he was not important in the development of modern poetry. Simple, almost none of the poets had read him. He could have been of great […]
  • If I find in a poem written long before I was born a line that, in tone, cadence, and key words, is... May 11, 2012
    If I find in a poem written long before I was born a line that, in tone, cadence, and key words, is strikingly similar to a poem I wrote long before I ever began reading the poet who wrote the line, which of us is the anticipatory plagiarist?
  • invisiblestories: (via metaincognita) April 26, 2012
    invisiblestories: (via metaincognita)
  • “I find [the idea that a poet owns language] erroneous because, as I understand it, it still... April 22, 2012
    “I find [the idea that a poet owns language] erroneous because, as I understand it, it still rests on an abusive identification of the interior with the exterior. Poetry, external memory when you receive it, goes in your internal memory and becomes external memory again through recitation, through public readings, explanations, etc. But poetry was not […]

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  • Clyfford Still: A cantankerous painter October 11, 2011
    Nota bene: This week I’ll be publishing a profile of Clyfford Still that I wrote back in 2005. Small parts of it have been published previously on MAN, but this is the first time that I’ve published the entire story. I’ve updated it to include recent information whenever possible. Today’s post will be the first of three parts. Part two is here. This is a sto […]
    Tyler Green
  • kennebunkport realness September 4, 2011
    i am visiting my sisters and niece up east so i decided to dress like a white person (it only seemed natural). we went peach picking and hit up some tag sales. gap dip dye shirt / patrik ervell cutoffs / sambas / thrift sunglasses and as much as i make fun of heritage bloggers as the retarded circle jerk boys' club bane of my existence and blame them fo […]
    Hard Liquor, Soft Holes
  • On Gay Talese & Limited Budgets July 29, 2011
    When we visited Gay Talese, Adam, Ben and I admired his home. It’s a beautiful multi-story townhouse in Manhattan. Mr. Talese told us how he and his wife bought the place. When he returned from military service in 1956, he and his wife invested his meager salary in one floor of what was then a run-down building in a lousy neighborhood. Ten or so years later, […]
    jessethorn
  • On Stereotypes Surrounding French Lit July 12, 2011
    It’s cool that the LA Times published an overview of some new, untranslated literature coming out of France, but they might have shed some of the stereotypical baggage: Until the 1980s, more common literary topics were “man and nature, the writer in Montmartre,” said novelist Jean-Pierre Ostende, whose new book about an audit firm, “Et voraces ils couraient […]
    admin
  • Review of New Impressions of Africa July 13, 2011
    That would be the New Impressions of Africa, not the new Impressions of Africa, though both are new. Review here at the new issue of The Critical Flame. New Impressions of Africa is made up of four cantos, each of which begins by establishing the setting in Egypt and then interrupting itself with a parenthetical thought. This thought is in turn interrupted b […]
    admin

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