Named Tomorrow

Icon

“this is not a detached dissertation but an exploration of my origins, an indirect attempt at self-definition” —Octavio Paz

Quick update

This blog is two and a half years old now, and what I’ve put here has been quite… hit or miss, I think, during that time. I started it back in 2007, near the end of my senior year of undergraduate, because I intended to take a year off before ‘pursuing’ an MA (how they flee, those degrees), and had been warned by numerous people, professors and graduate students alike, that it is very easy to stop writing without a grade looming, making the transition back to writing for school very difficult.  As such, posts have ranged from practice just putting thoughts into sentences (“(and thoughts are nothing if they never pass through the windowpane of a sentence)” – Roubaud) to trying to work out what has interested me in a book, or to put that interest into a vaguely academic-ese language in the hopes of future use for school, a language which I never had the energy or a strong enough desire to sustain (let’s just say a PhD is highly unlikely). Having finished with academia for as far as I can project, I hope to scrub a bit of that encrusted language off— it did not suit me in the first place, I don’t think.  All to say, I intend to get less nose-half-heartedly-to-the-grindstone-because-what-else-does-a-BA-in-English-do.  I’m sure I will still turn up with the occasional over-long post that hangs together only by the loosest threads (I just started The Loop, after all), but since my reading is no longer determined primarily by a syllabus, what I am reading and what I want to write about will, I hope, converge more often— and will thankfully not be hijacked by “How can I turn this thing I want to write about into the subject of a paper I don’t particularly care to write?”

Onwards, then.  I picked up a nice selection of books with Christmas gift cards, mostly novels by contemporary authors I’ve never read, and have also been trying to finish up the books I picked up in the Dalkey Archive summer sale a few months ago as well as the various used books I’ve grabbed since moving back from England.  Two books that I began and could not get into were Harry Mathews’ The Conversions and Kobo Abe’s The Box Man. The Abe I will probably give another chance; I’m almost certain it didn’t take only because I started it in the middle of holiday travelling, with all its attendant distractions and interruptions— intercoms and babies and flight attendants and noisy seatmates.  The Mathews… we’ll see. It’s his first novel and, based on the two chapters I read, seems to suffer from all the worst tendencies Oulipian constraints can produce: extreme esotericism that might be amusing given the right mood, but is completely nonsensical without the intentionally hidden key (e.g. I learned from an essay surveying Mathews’ work  that the host’s first words to the narrator, “The cheek of our Bea!” is in fact the narrator mishearing the title of a song— “The Sheik of Araby”— being sung by another character, Bea).

Aside from those hiccups, though, I’ve been reading some excellent books.  Around Thanksgiving I stumbled across D. H. Lawrence’s “St. Mawr” and “The Man Who Died,” the first of which I’d been curious about after reading Richard Poirier’s rave in A World Elsewhere, where he calls it one of the finest novellas ever written.  While I don’t know that I’d go that far, I did enjoy both novellas and am very interested in reading more Lawrence.  The scene where Mrs. Witt defends the horse’s life against the Dean and his wife’s insistence that it be put down was the most unexpectedly funny piece of writing I’ve come across in a while. I had not been led to believe Lawrence had a comedic bone in his writing hand, just vitriol and passion.  Either way, these felt like a good place to start with Lawrence, though not substantial enough for me to say much about him, considering the volume of the rest of his work. I’m unsure about which of his novels to go to, though, so any suggestions would be welcome.

The other books I’ve read recently I want to cover a bit more than cursorily, though.  Maso’s Ava and Markson’s Wittgenstein’s Mistress, two books by Aira, Solstad’s Shyness and Dignity, and the first Handke book I’ve read should get some words here in the coming weeks. I start a new job this week, and knowing that work I don’t want to do usually inspires me to do work I do want to do, I intend to be back with those relatively soon.

Filed under: Books, Meta

Calendar

May 2012
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
28293031  

Categories:

Archives:

RSS [Pause. Do.] / tumblr

  • Fragment 36, by H.D. May 13, 2012
    I know not what to do,my mind is reft:is song’s gift best?is love’s gift loveliest?I know not what to do,now sleep has pressedweight on your eyelids.Shall I break your rest,devouring, eager?is love’s gift best?nay, song’s the loveliest:yet were you lost,what rapturecould I take from song?what song were left?I know not what to do:to tu […]
  • from Oppen's Daybooks May 11, 2012
    “What [C. P.] Snow and [May] Swenson are describing [in their blurbs for one of Charles Reznikoff’s book] is—a classic.   It cannot be said that Rezi was as ‘important’ as Williams, Pound, Eliot, because he was not important in the development of modern poetry. Simple, almost none of the poets had read him. He could have been of great […]
  • If I find in a poem written long before I was born a line that, in tone, cadence, and key words, is... May 11, 2012
    If I find in a poem written long before I was born a line that, in tone, cadence, and key words, is strikingly similar to a poem I wrote long before I ever began reading the poet who wrote the line, which of us is the anticipatory plagiarist?
  • invisiblestories: (via metaincognita) April 26, 2012
    invisiblestories: (via metaincognita)
  • “I find [the idea that a poet owns language] erroneous because, as I understand it, it still... April 22, 2012
    “I find [the idea that a poet owns language] erroneous because, as I understand it, it still rests on an abusive identification of the interior with the exterior. Poetry, external memory when you receive it, goes in your internal memory and becomes external memory again through recitation, through public readings, explanations, etc. But poetry was not […]

Tweets

RSS Neat Links

  • Clyfford Still: A cantankerous painter October 11, 2011
    Nota bene: This week I’ll be publishing a profile of Clyfford Still that I wrote back in 2005. Small parts of it have been published previously on MAN, but this is the first time that I’ve published the entire story. I’ve updated it to include recent information whenever possible. Today’s post will be the first of three parts. Part two is here. This is a sto […]
    Tyler Green
  • kennebunkport realness September 4, 2011
    i am visiting my sisters and niece up east so i decided to dress like a white person (it only seemed natural). we went peach picking and hit up some tag sales. gap dip dye shirt / patrik ervell cutoffs / sambas / thrift sunglasses and as much as i make fun of heritage bloggers as the retarded circle jerk boys' club bane of my existence and blame them fo […]
    Hard Liquor, Soft Holes
  • On Gay Talese & Limited Budgets July 29, 2011
    When we visited Gay Talese, Adam, Ben and I admired his home. It’s a beautiful multi-story townhouse in Manhattan. Mr. Talese told us how he and his wife bought the place. When he returned from military service in 1956, he and his wife invested his meager salary in one floor of what was then a run-down building in a lousy neighborhood. Ten or so years later, […]
    jessethorn
  • On Stereotypes Surrounding French Lit July 12, 2011
    It’s cool that the LA Times published an overview of some new, untranslated literature coming out of France, but they might have shed some of the stereotypical baggage: Until the 1980s, more common literary topics were “man and nature, the writer in Montmartre,” said novelist Jean-Pierre Ostende, whose new book about an audit firm, “Et voraces ils couraient […]
    admin
  • Review of New Impressions of Africa July 13, 2011
    That would be the New Impressions of Africa, not the new Impressions of Africa, though both are new. Review here at the new issue of The Critical Flame. New Impressions of Africa is made up of four cantos, each of which begins by establishing the setting in Egypt and then interrupting itself with a parenthetical thought. This thought is in turn interrupted b […]
    admin

Blog Stats

  • 13,054 hits
Follow

Get every new post delivered to your Inbox.