Named Tomorrow

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“this is not a detached dissertation but an exploration of my origins, an indirect attempt at self-definition” —Octavio Paz

“An idealized scene. Space as reassurance.”

August 14th, 2008

My bed is my writing table. My floor is my desk. Right now, I am sitting on the floor, cross-legged and leaning forward onto the bed to write, glancing at the many stacks of books around me, the stacks which I am sorting through and into numerous piles: books which I need access to, books which I want access to, books which I do not need access to, books which will be perfectly fine sitting in a box in a room in a different country while I am away for the year, books which I do not by any means need but nevertheless want access to, etc. All these stacks give me an overwhelming desire to have a small house in the distance in which I may set up a regimen, eat simply, read regularly, write when I feel I must, ‘learn to be good’… I am tired of moving.

I paused just then to consider which direction I wanted to pursue: something I thought to write after reading the first few essays in Perec’s Species of Spaces, or this idyll of isolation with language (“Is the aleph, that place in Borges from which the entire world is visible simultaneously, anything other than an alphabet?”).

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Filed under: Books, Perec, Vuillard, Writing

The Gay Way: Inversion and Religion in Proust

A friend gave me, as a graduation present, the box set of A la recherche du temps perdu.  I began the first volume on the long drive from Texas to California, but was distracted by other books for a while and only over the past month dove fully into and finished Swann’s Way.  The word I find I want to use, and I’m sure has been used before, is virtuosic.  There is such a fine balance of construction within each section, and within the sections as they compound into the whole work, with which I am enamored; an underlying structure of thematics which, just as Swann & Odette’s love-theme appears throughout their relationship, seems to play out at various magnifications and degrees of unity across the whole work.  I am anxious to see how the themes are parlayed into the other books.

For now, though, having finished the first volume, I am particularly interested in the way Proust treats homosexuality, as I was a bit surprised to find lesbianism portrayed so blatantly in the first volume.  I was under the impression that Proust waited until the fourth volume to depict the lascivious underworld of homosexuality, having read some while ago a review that decried so few people reading past the pleasantries of Swann’s Way and never getting to the grittier reality of the later volumes, including the scenes of gay cruising in Sodom and Gomorroh.  What is interesting about these early depictions of homosexuality is their carefully layered inversions, which confuse the possibility of making the “correct” moral judgements, and indeed make “correct” a rather ambiguous term whose initial social grounding gives way to a paradoxical construction.

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Filed under: Analysis, Books, Proust, Sexuality , , , , ,

Books today…

I read David Mitchell’s Cloud Atlas in a day’s time on one of my Christmas-break-at-home reading binges after hearing its name floated on various blogs and from the lips of a respected classmate or two. It’s a truly enthralling book, well-balanced in style and form with a gimmick put to masterful use. If you haven’t read it, the most striking formal aspect is its nested structure: the first halves of the stories, each one about a century apart, culminate in a central story set in the post-apocalyptic future, after which follows the second halves of the stories in reverse order. Each section is a meta-fictive written account in the sense that each story is a self-contained written record (i.e. a private journal, a political thriller novella of a “true” story, etc.) that is somehow discovered by the character in the next story. E.g., one character finds the first half of the preceding story being used as a stump to balance a wobbly bedframe and his attempts at finding the second half become a subplot of his story, and the preceding story (the bedrfame prop one) resumes with the end of the character’s own story in the second half the novel and his discovery of the second half of the journal. A sort of russian nesting doll of a book, as it has been described. All that to background my having just finished his book written prior to that one, number9dream.

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Filed under: Books, Mitchell, Reviews

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  • @aych After UW, I read Americana, WN, and started Cosmopolis, and put him down, as none of them did much for me. Might try again after xmas 23 hours ago
  • @aych Haven't read either, yet. V curious about TBA, since it seems to be his most divisive work (besides UW, but bricks are always divisive 23 hours ago
  • In case you missed it a while back, Erin McKean's TED speech about redefining the dictionary: http://bit.ly/5VoTg9 23 hours ago
  • "If we stop pretending definitions are science, we can enjoy them as a kind of literature — think of them as extremely nerdy poems." 23 hours ago
  • @LisaKenney @aych I'm about convinced you're either an Underworld person or a White Noise person. Loved the former, meh about the latter. 23 hours ago

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